How I Became the (Cherry) Bomb

Posted July 24, 2007 at 11:23:23 AM by Tracy Moore

So, like many people I've been geeking out over the new Spoon record, Ga Ga Ga Ga Ga. The first time I listened to it, I wasn't over the moon about it, but upon repeated listens, I gotta say this shit is a total grower. This record is all about the craftsmanship—flourishes and handclaps and horns and shakers that pop in and out unexpectedly, all over loungey, shuffling beats and bendy guitar parts. And yet, for all that's going on, it's a record that still exercises restraint. Sweet production values, too—it manages to sound really crisp and warm at the same time.

But, uh, track 3—"You Got Yr. Cherry Bomb"—has the same intro as How I Became the Bomb's "Killing Machine." Check it:

Spoon: "You Got Yr. Cherry Bomb" - MP3

How I Became the Bomb: "Killing Machine" - MP3

Permalink | Comments (61)

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Comments

jack said:

Whoa! Bizarro! And even in the same key. How weird is that? And the whole bomb connection? And come to think of it, I've never seen How I Became the Bomb in the audience at a Spoon show...kind of makes you think...

LW said:

Who is Spoon?

Lucas said:

I thought the same thing when i first heard it. It is creepily similar.

joey said:

a friend of mine did see britt daniels at a how i became the bomb show when they were making that record. coincidence? or complete and utter artistic theft?

Jack said:

Joey...is this in fact true? I know Spoon were in town for a while a few months ago. Could we have the makings of a scandal? Idolator, are you listening?

Peace Frog said:

I'm by no means a musical expert... but that is more of a lift than George Harrison's "My Sweet Lord". I vote downright theft.

Trashley said:

I noticed it right away. If you're at all familiar with HIBTB, it's glaringly obvious that it's the exact same melody. I'm kind of disappointed. Is it time to lawyer up?

Todd said:

It is EXACTLY the same!

Mammoth said:

yes, but have you ever heard the story of the christian punk band in Alabama called Spoon who sent the following email to the Indie-Rock band you all know and love:

"We have registered the Spoon name in Alabama, Georgia, Tennessee, and South and North Carolina and are the sole owners of it. Not trying to be mean, but you guys aren't doing anything big. We are on the verge of making it big, so we are going to use the name. Hope you understand, 'cause you really have no choice!"

I met the Alabama Spoon, they really are terrible.

agoodflyingbird said:

alert the fucking presses!

magnum opus said:

well....since someone mentioned "My Sweet Lord" i guess i should say that these chords are exactly those used in that song as well.
also very close to "jackie wilson said" by van morrison.

...and this is old but was there ever a stink about the similarity between the flaming lips song "fight test" and Catsteven's "father and son"?

Baldwin said:

The chords are also identical to "Razzmatazz" by Pulp.

This does not change the fact that the Spoon song is an intentional or unintentional lift. Punishiment by banishment.

"Razzmatazz", however, is an entirely different song altogether.

Matt said:

G-C-D is used in a whole bunch of songs, y'all.

stop pretending they aren't. said:

spoon is boring.

But said:

G-C-D is used in a whole bunch of songs, y'all.

Yeah, but all those songs still manage to sound different.

Baldwin said:

G-C-D does not appear in "Killing Machine."

I am confident that everyone will agree that it's not the chord progression per se, it's the way it's used. Every blues song ever written has the same chords.

Any and all interested parties may rest assured that How I Became The Bomb and Lake Fever Productions have a phalanx of lawyers.

And when I say "phalanx," I mean it in the true Macedonian sense of the word.

lulu said:

i dont believe there is enough substantial similarity to even bother with talking about infringement.
Also, they would have to have proof of copying whether it be established either by direct evidence of copying or by indirect evidence showing access to the original work, ie being at the spoon show

it's likely just a quinkydink
Just ask Avril

Matt said:

Okay, 1-4-5 then. That 1 sounds awful G-y, though.

Steven said:

Too bad they both suck.

BP said:

It's been awhile since my one semester as a music business major, but if I remember correctly, you can't copyright a chord progression, or even a riff. Am I wrong?

Steve said:

I noticed it when I first heard the song, which happened to be in the radio station a couple of weeks ago. I then proceeded to play both tracks back to back.

Steve said:

Actually the chord progression is A minor, D, G, C.

who cares said:

Spoon sucks and so does their new record. Boring music . Tracy Moore, you had your first assumption right . Always trust your first instincts. As for HIBTB-all their music is simple fun pop stuff. Of course it's gonna sound like a million other things. No need to get all "copyright law."

Joe Baine said:

Alright Matt! Droppin' that Nashville Number System on us. Well done.

For what it's worth, a long, long time ago (2000), in a land far, far away (The Great Escape employee break room), Kels Koch told me a story from his days of sludging through the local Austin some years prior with his band, The Million Sellers. He spoke of one probably drunken night wherein Mr. Daniel confessed that he had one of Kels' songs in mind when he had written one for Spoon.

To which my 20 year old self replied "Who's Spoon?"

So yeah, maybe ole' boy has a track record for this kinda stuff. I'm thinking such obviously anti-social behavioral patterns hold up in a court of law - even in effing Texas. So... when should we sick Kent Marcus on his ass?

Tracy said:

Hey, I just like to give things more than one play if I have the time, and this time I was rewarded for it. Nonetheless, I was just pointing out the similarities between the two intros. But by all means, someone get all copyright law on that shit, at least for kicks.

Joe Baine said:

Wait, wait... Baldwin - are you implying that our lawyers are penis-shaped?

...word!

Evil Pants said:

you can only copyright lyrics and melody, and there has to be at least 10 or more (i think) identical notes of the melody before it can be infringement.
flaming lips settled with cat stevens,Am D G C is a standard circle of 5ths progression (music theory 101), and Soon ripped off HIBTB

Evil Pants said:

*Spoon

Ben said:

If you could copyright chord progressions and the style that they're used in, most instro, surf, and blues bands would spend more time in court than on stage. That being said neither of those two songs warrant a second listen.

Keith said:

I admittedly know almost nothing about music theory, but wouldn't Am D G C be a cycle of 4ths, Evil Pants?

And I definitely here the similarities in the intros of these songs, but I don't think The Bomb would have a chance in hell in court.

And I find Spoon in general to be an acquired taste or in Tracy's words, a "grower." It took me a long time to get it, but now I like 'em a lot.

Keith said:

*hear

Gazelle said:

Cherry Bomb.... Became the Bomb... hmm.

I'd like to thank whomever [Tracy] just for bringing "Killing Machine" to my ears. Great song! I'd've stole from it too.

Evil Pants said:

yes keith intervals are 4ths.
"The Cycle (or circle) of 5ths" is just a theroy standard and works going forward (5ths) or in reverse (4ths).just google "Circle of 5ths" or wiki for the nitty gritty.

Sam Smith said:

I'm still disappointed nothing came of the Privates/Simple Plan rip off. This is surely an interesting trend though.

And to chime in on the chord progression discussion, yes these chords are used all the time, and from my quick listen it sounds like Spoon's using the chords in a different order (even though it starts with the Am). However, its the offbeat accents, the chord voicings, the quarter note drum beat, and the "Bomb" reference that make it all so fishy.

Anyone wanna make a merged mp3?

nick said:

meh - it's a chord progression. the spoon song is way better as a whole so they win.

Chris said:

Guys, that's not the same chord progression. There's nothing "exactly the same" about them.

Andrew J. Smithson said:

It sounds suspiciously similar, for sure. Especially since I do remember seeing that ugly Britt fellow at HIBTB, at Mercy Lounge.

Coincidental or not, I don't think it's a big deal. My friend Noel Gallagher says it happens all the time...

Britt said:

why am I ugly?

Britt said:

I am not ugly, Mister Smithson.

Andrew J. Smithson said:

Did I say ugly? Sorry, I must be in kind of a bad mood. He's certainly not any less attractive than me, and considerably taller.

ip number said:

Good catch.

flamethrower said:

good artists copy, great artists steal. and so does spoon.

Tracy said:

He's certainly not any less attractive than me, and considerably taller.

And let's not overlook what snappy dressers those Spoon folks are. 2 kudos!!

Britt [from here on out to be spoken to as 'Believing is Art'] said:

"I'm going to break the heart of Chicago and walk right back out"

raf said:

reminds me when Lifeboy had to change the melody of Number One because of the Green day song. isn't it like 6 or 7 notes before they can actually do anything? and anyways chord progressions are always ripped-off..it's the melodies that make the difference.

Z said:

HIBTB starts on C, SPoon's starts on A. Yeah relative minor, whatever. And the melody is totally different, both are good tunes, leave it at that. So I guess Johhny Cash ripped himself off every third tune. Talk about something interesting and learn some fucking music theory, it won't make you sound too polished.

Z said:

Oh, take the cycle of fifths and go backwards, you have the cycle of fourths...smartass.

simple mike said:

If you take the second track out of the sequence, this is Spoon's best record in 10 years. If you ask me. But who's askin'?

liam said:

the 'i became the bomb' song is terrible. TERRIBLE. Even if spoon stole the idea from them, they made it better. making good from garbage is okay in my book.

Avalanche said:

I gave HIBTB a chance and even volunteered a couple of visits to their shows. I have to be honest and say that this band is really overrated. It's all novelty and their good musicians but it says "nothing". I am glad spoon ripped it off if they did cause why should a good riff go to novelty BS.

Keith said:

I was wondering when the HIBTB backlash was going to start. I love me some Bomb and I'm extremely proud that Nashville is being represented by them. I've had the opportunity to see some of their out of town shows and it makes me really happy to watch them winning over new audiences.

snowball said:

I like How I Became the Bomb. They are not my favorite band, but I'm glad they play. They could be better but what band couldn't be. I just hope they grow as musicians and people and really make the band something they can look back on and be proud of.

Pass the Music said:

The folks here at Pass the Music did some following-up on the whole Spoon/HIBTB controversy, and were able to reach HIBTB lead singer Jon for comment. Read his reply here:
http://passthemusic.blogspot.com/2007/07/update-how-i-became-bomb-respond-to.html
Thanks for cracking this one open, Nashville Cream.

J said:

In all honesty, this is an extremely common chord progression, as is the drum beat behind it. "My Sweet Lord" is just one of many many songs that includes the same or a very similar progression.

How I Became the Bomb is no better than average, and compared to Spoon, who's new record is truly phenomenal (of course this is all in my no-good opinion, but oh well), "You Got Yr Cherry Bomb" is a much more capable song.

I've always hated Cat Stevens for the whole Flaming Lips' controversy (Wayne Coyne has been so nice about it, but he claims he never recognized the similarity until he played back the track after production. Both songs are great anyways), and it would be kind of a dick move if this How I Became the Bomb band raised a case with those Spoonites, especially if nobody knows if Britt Daniel even knows this band.

2fs said:

Ain't nothin here. The basic progression here is just one of your basic rock/soul sequences - you can't copyright those. Anyway, the differences are far more interesting, and revealing: HIBTB locks into the sequence and sticks with it; compare the way Spoon shifts it around, sometimes sticking on one chord for a bar in substitution of another chord, varying the bass passing tones, etc. And that doesn't even take into account the cleverly detailed arrangement, sorta Motown under dub. Gotta say Spoon wins this round.

CreamMaster said:

Comment removed.

Chainsaw said:

fer chrissakes, it's the "ice cream cone" chord progression, as Zappa called it, otherwise known as ii/V/I. Lots of doowop/pre-rock uses it, and most jazz standards are based on fancier versions of it. It's about as UNIQUE as the 12-bar blues, or the one-chord jam.

Britt said:

you guys are all 'the bomb'.

Din said:

Both songs are nice :)

2fs said:

If anyone's paying attention anymore, I wrote up my thoughts on this.

Bubba Hotep said:

Can you copyright bass lines?


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